Talált 467 Eredmények: crown of gold

  • He made two gold rings for it below the moulding on its two opposite sides, to take the shafts used for carrying it. (Exodus 37, 27)

  • He made the shafts of acacia wood and overlaid them with gold. (Exodus 37, 28)

  • The amount of gold used for the work, for the entire work for the sanctuary (the gold consecrated for the purpose) was twenty-nine talents and seven hundred and thirty shekels, reckoned by the sanctuary shekel. (Exodus 38, 24)

  • They made the ephod of gold, of violet-purple, red-purple and crimson materials and finely woven linen. (Exodus 39, 2)

  • They beat gold into thin plates and cut these into threads to work into the violet-purple, red-purple and crimson materials and the fine linen by needlework. (Exodus 39, 3)

  • The waistband on the ephod to hold it in position, was of a piece with it and of the same workmanship: of gold, violet-purple, red-purple and finely woven linen, as Yahweh had ordered Moses. (Exodus 39, 5)

  • They worked the cornelians, mounted in gold setting, and engraved, like an engraved seal, with the names of the sons of Israel, (Exodus 39, 6)

  • They made the breastplate of the same embroidered work as the ephod: of gold, violet-purple, red-purple and crimson materials and finely woven linen. (Exodus 39, 8)

  • and for the fourth row, a beryl, a cornelian and a jasper: mounted in gold settings, (Exodus 39, 13)

  • For the breastplate they made chains of pure gold twisted like cords, (Exodus 39, 15)

  • and they made two gold rosettes and two gold rings, putting the two rings on the two outside edges of the breastplate (Exodus 39, 16)

  • and fastening the two gold cords to the two rings on the outside edges of the breastplate. (Exodus 39, 17)


“Deus não opera prodígios onde não há fé.” São Padre Pio de Pietrelcina